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supported by 4 fans who also own “(Some Kind Of) World(')s End”
Creating a dark, heavy, and yet tranquil atmosphere, Bell Witch are quintessential Funeral Doom, and that without guitars. All their albums are, while slightly varying in tone and atmosphere, masterpieces of the sub-genre.
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supported by 4 fans who also own “(Some Kind Of) World(')s End”
This album is just so massive. It's not the step down from Satan Worshipping Doom that people say it is.
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Classic garage-punk with bluesy swing and plenty of grit from Bad Bad Men.
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Crunchy garage jams co-mingle with country on the Brooklyn band's surprise LP, a not-so-secret love letter to the Rolling Stones.
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Bluesy protopunk in the great Detroit tradition by the city's own the Stools, with dashes of the Stooges, Negative Approach, and the Gories.
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Hyperactive, bugged-out post-punk from the duo of John Toohill (Science Man) and Brandon Schlia (Clump).
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Furious punk from Christchurch, New Zealand, ZHUKOV know the value of pure rage paired with blunt riffs.
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